STUDI EVALUATIF TERHADAP UNSUR ESTETIKA PADA PRODUK FURNITUR ARM CHAIR

Authors

DOI:

https://doi.org/10.37802/candrarupa.v5i2.1461

Keywords:

Arm Chair design, Aesthetic Value, Furniture Design, Furniture Ergonomics

Abstract

This study aims to examine the aesthetic aspects of armchair furniture as an interior element that not only serves a functional purpose but also carries aesthetic value that influences spatial perception and users’ visual comfort. The aesthetic evaluation of armchairs tends to be conducted subjectively. The armchair was selected as the research object because it represents a type of furniture with diverse forms, materials, colors, and design styles that reflect the character and identity of a space. The analysis focuses on the elements and principles of design, including form, proportion, texture, color, as well as balance and harmony in armchair composition. The research employs a qualitative approach using a case study method on an armchair design. Data were collected through visual observation, literature review, and interviews with interior designers and users. The aesthetic evaluation of the armchair revealed that its harmonious visual quality is achieved through a balanced integration of form, line, color, texture, size, and proportion. The armchair conveys a soft, natural, and elegant appearance due to the dominance of its oval form and curved lines, which collectively create a minimalist design character. The use of suar wood enhances the tactile experience through its smooth surface texture while simultaneously providing visual appeal through the distinctive patterns of its natural wood grain. Consequently, the armchair exhibits an artistic aesthetic characterized by the natural brown color gradation of the wood combined with prominent black grain patterns. The application of suar wood significantly contributes to enhancing the overall aesthetic value of the armchair as a furniture product. This study contributes to the development of product and interior design knowledge, particularly in understanding the importance of aesthetics in furniture design and its impact on the overall spatial experience.

References

Arief, L. (2025). Tinjauan Bentuk dan Estetika Font Bergaya Aksara Jawa. CandraRupa : Journal of Art, Design, and Media, 4(2), 72–81.

Chen, B., Chen, G., & Hu, Q. (2024). Furniture design based on image color extraction algorithm. Systems and Soft Computing, 6(April), 200123. https://doi.org/10.1016/j.sasc.2024.200123

Etruly, N., Furqon, M., & Alrisyaldi, R. (2025). Perancangan extendable coffee table menggunakan konstruksi knockdown dengan pengaplikasian motif veneer Pendahuluan. Jurnal Desain, 13(1), 176–193.

Hanif, A. T., & Judianto, O. (2020). Perancangan Furniture Kursi Armchair dengan Memanfaatkan Limbah Ban Bekas dan Menerapkan Gaya Desain Scandinavian. Jurnal Inosains, 15(2), 44–50.

Hermita, R., & Fahrezi, T. C. (2025). Kajian Terhadap Bentuk Visual Elemen Interior Grand Inna Medan Medan. CandraRupa : Journal of Art, Design, and Media, 4(1), 15–20.

Kurniawan, A., & Tamami, A. Z. (2025). Estetika Visual dan Pengaruhnya terhadap Kenyamanan Psikologis dalam Ruang. Imajinasi: Jurnal Ilmu Pengetahuan, Seni, Dan Teknologi, 2(2), 82–94. https://doi.org/https://doi.org/10.62383/imajinasi.v2i2.620

Lestari, S. I., & Salm, A. (2023). Tinjauan Desain Furniture dan Suasana Pada Kafé Wongkis 76. Waca Cipta Ruang : Jurnal Ilmiah Desain Interior, 9(1), 73–79. https://doi.org/10.34010/wcr.v9i1.7731

Lubis, D. K., & Nurhanifah. (2025). Desain dan Pembuatan TV Stand Berhaya Minimalis Modern. Jurnal Industri Furnitur Dan Pengolahan Kayu, 3(2), 10–19.

Prana, G., Ardikusuma, M., Ayu, I., & Andriyogi, K. (2025). Eksploratori Material Plastic Pressed pada Kursi Teras dengan Konsep Mamalia Paus. Jurnal Dimensi Interior, 18(1), 44–55. https://doi.org/https://doi.org/10.9744/interior.18.1.44-55

Pratama, R. A. (2026). Analisis Konseptual Desain Furniture Modern Berbasis Tradisi. Jurnal Seni Dan Desain Kreatif, 1(2), 36–43.

Sujatmiko, A., Bahruddin, M., Fora, K. Y., & Laksono, Y. T. (2026). Eksplorasi Estetika Garis, Warna, dan Distorsi Visual dalam Ping Pong The Animation dengan Pendekatan Gaya Visual Great Pretender. CandraRupa: Journal of Art, Design, and Media, 5(1), 86–95.

Sutedi, H., Yuselin, N., Aisa, N. N., Rosyidi, E., Zahabiyah, R., Setiawan, I., Farhan, A. A., Muffazal, G. I., Bagasputra, J., & Effendi, S. (2025). Anthropometric Chair Design Using The Reverse Engineering Method to Support Practical Learning. TEKNOSAINS: Jurnal Sains, Teknologi Dan Informatika, 12(2), 286–292. https://doi.org/10.37373/tekno.v12i2.1580

Tiurma, G. M., Nafsika, S. S., & Undiana, N. N. (2022). Menganalisis Kedalaman Nilai Visual dan Bentuk Estetika Pada furniture Analysis The Dept of visual Aesthetic Value furniture. Cinematology: Journal Anthology of Film and Television Studies, 2(3), 94–102.

Tristiawan, G., & Dewi, A. K. (2026). Analisis Semiotika Roland Barthes pada Visual Tenun Baduy sebagai Identitas Etnik Kontemporer. CandraRupa: Journal of Art, Design, and Media, 5(1), 64–71.

Vidyaprabha, K., Susanto, E. T., & Prasetya, R. D. (2022). Desain Kabinet Multifungsi untuk Ruang Sempit Apartemen. Jurnal Desain Indonesia, 04(1), 25–33.

Widiyanto, W., Purwanto, A. A., Muhamad, S., Nurmadina, & Juwita, D. (2026). Analisis Kekuatan Struktur Arm Chair Produksi Industri Furnitur Menggunakan Metode Finite Element Analysis (FEA). Machine: Jurnal Teknik Mesin, 12(1), 207–215.

Yulistya, Y. H., & Roosandriantini, J. (2022). Kajian Elemen Arsitektur Modern berdasarkan teori Vitruvius. Jurnal LingKAr (Lingkungan Arsitektur), 1(2), 84–91. https://doi.org/10.37477/lkr.v1i2.253

Downloads

Published

2026-10-13